"I do not know what the life would be like without the radio," Betty Elizalde once asked, after struggling for a long time with a long and hard illness, at age 78. This statement of principles that summarizes a whole life in a nutshell is as relevant as the question of how radio would have been in Argentina without. For one, he would have missed one of his best voices. He came further than anyone else in the creation of fantasies, stimuli and fascinating imaginary scenarios from the seduction that emanated from his presence in
The seven moons of Crandall and he was also the combatant and conductive driver of cycles that were held with force and conviction from a position of admirable frankness and inseparable authenticity. In his most imaginative cycles and at the moments when he was turning his head to reality, Elizalde never let his convictions be affirmed and to keep track of how he struggled for the microphone.
He preferred to do it almost always in solitude because he did not feel comfortable among the crowd. "I have a lot of difficulty moving between people. Going to a party is a discomfort as it represents meeting people I do not know, enter into new relationships. All that I can not communicate with private life I can comment on – as I am doing at this time through the radio, "he said once. When he reached the radio, at the age of 18, he had given himself a few proofs of this behavior, lit up in early rebellions to certain family orders. "I grew up in the Inquisition. Everything that was artistic was considered a hurdle," he confessed.
It was born as Beatriz Deolinda Bistagnino on January 4, 1940, in a very conservative family. Girl played the piano, dreamed of the theater and even imagined a future as a doctor. "I say that I know what the inquisition is because in my house they were ultra-Catholic, with a Spanish grandmother and a mother totally subject to this mother, an old woman, very devout and divine, but very bad, although she was very hungry. Everything was very rigid and strict, and I was a sheet in the wind. My father was a kind of much sensitivity, son of Italians and soul anarchist, although both my mother and my grandmother confused against her, "she goes remember once. So strict was everything that when he arrived a day at home being a teenager and counting that he wanted to be a speaker after having watched a live broadcast of Radio Splendid, his father responded: "In this house we do not want to …. ".
So convinced he was of his destiny that he obtained an aunt the loan of the necessary money to register in the ISER and at the age of 18 he debuted on the radio, the means he consecrated him and to which he gave him the best of his life for more than fifty years. In this lapse he became one of the great classical figures of radio talk and talk. His distinguished colleagues, Nucha Amengual and Nora Perlé, went on to accompany audiences every night with the unequaled value of seductive and chaste voices, and he built at the same time, especially in the subsequent seasons of
Always Betty, its header cycle, a highly respected place as an interviewer and observer of reality.
He was a methodical professional, demanding and rigorous. As he liked to experiment with the sound, he enjoyed the possibility of playing in a radio studio of the climes of any street conversation and that is why he experimented with the proximity or distance of his location in front of the microphone, which caused him more There was a disgust with the operators who were not accustomed to working with her. "It's very nice to make this inn in the air that you open the door, between the guest, I tell you:" how are you? "And he salutes me from the door. Then he comes near Through this listener, a real idea of what happens in the studio is formed. I do not have to explain it. The sound is transmitting it, "he said in an interview published on the Radial Narrative site .
Defender of mystical radial and good production teams, tried to avoid by all means that other screens contaminated their programs or influenced the choice of topics to be dealt with. I preferred the good conversations without limited time (a compilation of her best talk with great figures became the book Profiles, published in 1999) and a style of communication in which she herself was defined as "parisionist." Their participation in memorable cycles is very reminiscent like
The green hen i
Good morning This last program always said he was "in the heart" because there arose a close friendship with the writer Tomás Eloy Martínez. He was also very close to
Fernando Peña, whom he considered almost as a brother.
Elizalde always gave a lot of value to the AM and was a fervent listener of all kinds of news programs. From his demanding spirit and professionalism he did not have complexes in saying that he was very upset to see how people without proper training demanded his place in the microphone. He also said he was distressed because in recent years the radio had become a ground "of false opinion and confrontation between journalists and speakers."
He made television, but marked from the source for the radial fingerprint. We met his face and his perfect diction on the screen in 1981, when next to César Mascetti and Silvio Huberman he presented every morning
From 7 to 8, in duplex with Radio Belgrano. Luis Clur, the director of this journalistic submission, did not take long to promote it and put it at the head of
Migdies with Betty that same year. Later he tried his luck with a consumer defense program
(Defender at 13) and he was not fortunate in an incursion by the journalistic documentary
It happened like that, too much marked by the yellow press in the observation of police events.
They were occasional appearances, because the place of Betty Elizalde was not on TV but on radio. He won two Martín Fierro, 1 Konex, three Clarín prizes and won many other local and international awards. And he celebrated at the end of 2009 his wedding of gold with the radio. At this time, as he always did throughout his career, he responded to all the greetings, congratulations and thanks to the cable he repeated every time he appeared. Another statement of principles: "Here is the old lady unworthy, performing the oldest business in the world, the communication." Everyone knew that the phrase was a game. In the daily deal, in love for loved ones, in the profound affection he had on the radio, Betty Elizalde made a cult of dignity. And he kept this behavior to the end, even in the tough moments when he was required to complain in 2015 for medications that his health coverage did not give him.