. And he did it through the direct testimony of his ex-companions, the musicians who accompanied him in the different stages of his solo career; his mother, Lilian Clark; her sisters, Laura and Estela, and her children, Benito and Lisa. And Cerati himself, who tells his story in interviews, some of them unpublished, along with plenty of archival material.
After Shakira, Zeta Bosio and Charly Alberti described the musician based on his own opinions ("I think that this made him a great pleasure and did not know how to put a limit on the things that gave him pleasure," he argues strongly. bassist), the action begins with Mena arriving at the house of Clark for a family meal next to all the Cerati clan. After going through the room where the musician lived until the presentation of the first Stereo Soda disc, Laura listens to a recording of the time when Joan Josep, his father, simulates being a radio announcer that presents to his listeners a new talent: his son Gustavo, of only six years, that sings a song.
Lilian Clark and the secrets of the song
This audio works as a trigger to highlight the support Cerati always had on the part of his family. "If there is one thing that one should not regret is to follow the vocation of the children, whatever, it is not necessary to frustrate for anything," says Clark, who also emphasizes how her husband was responsible for carrying Discs and instruments to your child every time he traveled for work in the United States. Gustavo himself emphasizes this support from an interview in 1990 that states: "They continue to be a protection for me. Every time I make a record, I show it and I hope that they will embrace me and I'll be there. 39; come close ".
Zeta Bosio is in charge of explaining how the University of El Salvador was known as Publicity student, while Ana Saint Jean, Cerati's fiancée at that time, presented a cassette with an unreleased song that Cerati He had composed them when they were together, the melody remembers "your madness", which he later recorded in his solo career. The talk later becomes the aesthetic obsession of the group from the beginning, complemented with period photographs and a testimony of the Cerati archive, which recognizes the laughter: "We were a pint-three people" .
Gustavo Cerati and the birth of his daughter Lisa, in a video that remained unpublished
A visit to Marabú, where Soda Stereo gave its first shows, next to Adrián Taverna, the historical sonidista of the trio, serves as the starting point for an accelerated review by the group's rise. The vertiginous rhythm does not allow to focus on specific periods, but there is abundant unpublished material, such as images of shows during Sodamanía, taken in dressing rooms or moving from one destination to another and a new testimony of Cerati in what recognizes that at one point of this explosion he had an attempt to separate the band in a fence, at an airport in Costa Rica. The success of Doble Vida and his subsequent presentation in Buenos Aires led to the recording of Animal Song in the United States, with prey from the group leader registering the guitars of "Between cannibals" and "A million d & # 39; light years ". It is also possible to see how the incorporation of Melero generates a symbiosis with Cerati and frictions with his colleagues, which triggers his subsequent move to Chile, with the recording of
yellow love and the birth of his son Benito as pillars of a new era.
This search for a new horizon also works as a prelude to the separation of Stereo Soda water. A chaotic and little-inspired show at the Alternative Iron Festival and the arrival of his daughter Lisa are the preamble to
The last concert, At the River stage, in 1997. After the omission of his period at the head of the electronic Plan V project, Leo García carries out his interpretation of the genesis of
puffiness and explains how many of the lyrics were inspired by Deepak Chopra's book The Seven Spiritual Laws of Success.
The trailer of the documentary that was released last night and that can be seen on Flow and the On Demand of Cablevisión
A cut in the timeline places Benito and Lisa as protagonists to emphasize the most intimate side of Cerati: his role as a father. Home-from-home game images, family vacations in San Martín de los Andes, and an acid-house album appear that the eldest of their children recorded with him at the age of five.
It is precisely Benito who analyzes how Cerati decided to return to guitar rock. "He frustrated that he removed things that, although he did what he wanted, he was not doing so well", an indirect allusion to the transition of
It is always today a
here we go.
From the success of his fourth solo album to the return of Soda Stereo, with the level of secrecy in which he developed, and the arduous negotiations that the manager Daniel Kon had to To keep up with the three members of the band so that they could stand out. agreement regarding the clauses of the contract that were going to end up signing. The author's "Lightweight" author's health gives the first alarms when a thrombosis forced his doctor's warnings to be a recurring topic on this tour, although, in the words of García himself, "he He made the decision to live in full and take responsibility for the consequences. "
With the images of the last show of the return of Soda Stereo on screen (and the mentions in several talks and discussions to seal pending issues and wounds), Charly Alberti makes a revelation stating that among the three musicians s & # 39 ; they had proposed not to put a definitive end to their own story: "We said:" Let's stop now! ", and every four or five years we send a tour of them, we spend it spectacular, we make a Disc and then each one follows with his, and in that we had remained. " Following the rhythm of this plan, what follows is the recording of Natural Strength, his last studio album and the only one that is documented in depth in Bios. All those involved highlight how Cerati felt a special connection with the present and the here and now, something that the same musician broadens from an interview in which he states: "By here for age, the sum of mileage In life, every time it becomes more necessary for me to enjoy the journey and to spend the most moments ". This is demonstrated by the backstage shots of the album's presentation tour, and the companion air that he had with his musicians.
A fragment of his latest show in Caracas and the afternoon of the photo that he took with his band when he finished playing (and while he was already experiencing the first symptoms of the ACV that happened in the His death four years later) is the prelude to the end of his own history, in which Bosio and Alberti detail his last encounter with him at the Alcla clinic, and where you can see the enormous integrity with That Lilian Clark crossed these long four years.
By way of closure, his family and his friends musicians meet in Unison to play a version of "Natural Force" that alternates between fragments of the original. Editing management and image tone play the impression that Cerati is present alongside them in the studio, one of the greatest hits of the documentary.
Even with severe temporary cuts (his electronic projects, recording of Dynamo, Dream Stereo and much of his solo discography) and the omission of key testimonials (the absence of Richard Coleman it is noted in history), Bios is supported by emotional value by allowing a crack to open inside the dynamics of a figure with a talent as big as the hermetic with which it goes manage your private life.