From the royal march from Richard Strauss to the music from the opera "Saison in Salzburg" to the songs from "Grease", a wide array of music portraits is attended by the audience, which brought about 65 musicians to the audience at Festspielhaus.
"A diversified and demanding program testifies to the high quality of musicians," stresses the chairman of the national parliament, Brigitte Pallauf (OVP), who, along with General Manager George Pollock, presented the Austrian Kapelmeister's Gold Medal to Franz Milaher.
Unique postalile from Salzburg from 1786
Usually, the practice is once a week, but some additional tests have been inserted for the festival concert, says Milaher, who has been running the pace for 22 years as Kapellmeister. And the orchestra also does something for the eye: the musicians wear dreispitz, knees and red skirt, the historical uniform of the postalile Salzburg of 1786.
Post-music without young talents
In addition to the "big" Postmusics, Post Big Band, Bohemian cast and some smaller ensembles, playing on various occasions. Since, in addition to mail and telecommunications and postal staff, private musicians now sit on tables, there are currently no newcomers. "We have enough qualified people in all registries that want to join," says Milaher, who is a flugelhorn player who lives in the neighboring Hausruckviertel.
Franz Milacher leads the bat
What brings the upper Austrian leading position in Postmusk Salzburg? Landes-Medienzentrum (LMZ) spoke with Franz Milaher:
LMZ: You were busy Kapellmeister in Upper Austria. How and why did you come to Postmusik Salzburg in 1996?
FRANZ MILACHER: The famous scout composer Peter Vesenauer at the time was Kapellmeister from Eisenbahnermusikverein Salzburg and my good friend. He switched his address to those responsible for post-music and so one day a call from Salzburg. After the "opening test" I decided to accept the challenge of post-music becoming a very powerful orchestra.
What distinguishes Postmusik Salzburg today and what distinguishes it from other orchestras from the orchestra?
First of all, our versatility is what distinguishes us. We all want to have real music for every occasion. Regardless of whether this is a big visa abroad or even a Mirabellgarten concert in Salzburg, we would love to play different and interesting pieces.
What repertoire is playing?
Post-music plays everything the audience likes to hear: from traditional musical music, such as march, polka or waltz, symphonic music of winds, operettas and classical arrangements for music and film melodies and pop and pop music are not forgotten.
What do you remember in particular? What did you say so far under the guidance of the staff?
The emphasis in the history of post-music certainly was in 2014, when we were invited to a festival in Salzburg. We contributed to the theater music of the play "The Last Days of Humanity". That same year we played a concert in the Golden Hall of the Vienna Musikverein. However, there are many other opportunities I like to remember, such as concerts at the Hobart Chapel in Australia, at the Tsingtao opera house in China or at annual autumn concerts at the Mozarteum Grand Hall in Salzburg.
Are there any special plans for the future musical future?
The longing wish of our orchestra would be the second concert tour to Australia, where we are working intensively from next year and we hope to realize this in 2020.