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Top of pops: like a hangover and a song inspired by a crushing of the century


"Chasing Cars" is also present on Irish radio, of course. You just have to close your eyes to summon this heart that seems to fall forever. "If I just stayed here," Gary Lightbody is sensibly exposed. "Will you stay with me and forget the world?"

Snow Patrol has interpreted & # 39; Chasing Cars & # 39; in almost all the concerts since the publication of the song at the beginning of 2006. Without fail, it is the moment of the night when the atmosphere becomes a little Westlife. The hands are kept aloft, each one moving from side to side. People often mouth their hearts so that the body of light can let them do their high weight. You can feel it as if it were boiled in melon.

Great is not always beautiful, of course. And for many, "Chasing Cars" has welcomed a long time ago. It is certainly a great blow. In this sense, it is also a very Irish success. From the "Beautiful Day" of U2 through "Zombie" of The Cranberries and "Take Me To Church" of Hozier, when the Irish bands remain large, that is to say, with songs that carry their hearts with huge sleeves .

Even so, there is no argument with its impact. The UK music licensing agency PPL rated it as the most played song on British radio in front of "I Gotta Feeling" by Black Eyed Peas and "Happy" by Pharrell. The difference between these songs and "Chasing Cars", of course, is that they are stimulated, since, like the surprise of the Snow Patrol, it is considerably smaller.

And, nevertheless, it has fallen to the open air. A significant boost was the support of Gray's Anatomy. In the middle of the decade of 2000, the rule of the medical drama was supreme like showcase of the near musicians. Not that Lightbody and his bandmates were especially aware of their "Chasing Cars" license.

Only later, when online monitoring increased, the penny left something to be underway. The body of light is largely baffled by the impact of the song.

"I've never been able to figure out why it was a success," Lightbody admitted. "It's simple, honest, it's honest, everything is attractive to people and I do not know why."

There is a devastating echo in history. & # 39; Chasing Cars & # 39; He arrived in Lightbody in the morning after a lost night with several bottles of white wine. He stayed with the producer of Dublin Snow Patrol, Garret & # 39; Jackknife & # 39; Lee, at Lee's house in Kent. When his head cleared, Lightbody retreated to the back garden with his guitar. The subject was a girl to which an increasing one appeared without corresponding to Bangor, Co Down.

The title came from his father's thoughts about passion. "You like a dog that chases a car. You will never get caught and you just will not know what to do if you did."

At that time, writing through a hangover would have affected Lightbody as a mere component of his lifestyle as a mid-level rock star. But their relationship with alcohol would become increasingly severe. A few years ago, he lived alone in Los Angeles, isolated from his friends and family, and hit the bottle every day. "The change was drinking alone," he told The Late Late Show. "Drink very much."

Thus, while "Chasing Cars" is a level, a drippy song, it is also a product of the first stages of an incapacitating addiction. This gives you a tone of threat: it's a serenade that makes you think of something darker. Maybe that's why it has become more than just a sad ballad and now it's a hymn of all times.

Irish Independent

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