Saturday , August 20 2022

02 photos: Marie Madeleine Diallo "What my husband told me about the date of reminder to God"



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She made a good comedy day before she disappeared from the scene for some time. She recently appeared on the small screen, through the series "Adja". Sequences donated by theater lovers in the 1990s when the Bara Iego hull made tobacco in Senegalese households. "The Obs" is the magic of the last, and it is for you, Marie Madeleine Diallo, "Avo" Golbert Diagne and the wife of the deceased Mama Seie. In this interview, she talks about her long absence, the death of her mother and her husband, her career, among others …

For some time you've been out of the stage. What does that explain?

The truth is that I stayed good until it appeared on the screen, until recently through the series Adja. However, I had to play several sequences in a series like "C'est la Vie" that was filmed in Joal. I also made a short film with Nicolas Savalo Cisse, whose name is Blissi Ndiaie. However, I must say that I was very much withdrawn. My mother and my husband suffered. I had to get out of the place to take care of them. In the end, they died, my husband in 2014, Mom, immediately before. Since then, I have seen myself several times, this is in the period of Panal.

You recently signed a return through the Adja series. How did you come to participate?

It was the young Pod, who contacted me, through an old friend, Therese Cisse, secretary of the governor of that time. She asked me if she could give me my number. What I accepted. He called me and said he was looking for characters that would play the role of mother Adja in a series of the same name. He took the time to explain the ins and outs and finally convinced me to join the series. At first I was ready enough to make such adventures, it was not obvious at all. He succeeded in our conversations. It must be said that I also found myself in the picture and Adya in the movie is a replica of what I was, a wife who does not care about her husband, her children, her home, very well. So I came to shoot at "Adja Thamkharit", and the producers asked me about other shots that will soon be done.

What did you need to do with the camera after this long absence?

I felt good to see how she was playing again. Without throwing flowers on me, there is always a gesture and a good presence. Evidence, I had a lot of feedback through social networks, my friends and acquaintances called me from everywhere to congratulate and encourage me. They challenged me to say that I was old and that I would surrender to the younger ones and say that I always had my place. Good seeds are here, but sometimes, we must see the old ones who made the wonderful days of this art. Well, I thought it would be nice to accept that I play in the next episodes "Adja".

Your withdrawal was due to the loss of loved ones. How did you spend your time after the sacrifice?

Let's say that since 1999, I have a structure called "Diallore production", with whom I direct. We often make trips, shows. I work with the director. I also work with a large number of associations and young artists who come to see me for small sequences in neighborhood movies. I give them my character as a staircase and I'm doing it mercifully to help them get started. Besides, I stayed in France with children and my sisters in Lyon.

At the same time, losing the mother and her husband, it was certainly hard for you …

I lived it very much. When my mother got sick, I took her home. She stayed there a year and a half before she died. In addition, my husband was also a bed. Both of them needed my presence, even if they had brokers, family members, who helped me to cheer them up. I've lived with my husband since I was 23 years old. We had 43 years of marriage before he died. We were excellent friends and quite accomplices. On the day of his death, he told me he would leave. I asked him where? And he told me, "You have understood everything and it's time for me to go. I smashed you. You have to leave me." I told him he would not leave and he must stay next to me because he is the only one I know and live with him for years. I've always been in hospitals with him or with my mother. So it was hard for me to think about myself or my career. At one point, I was completely exhausted. I needed some health and I took care of myself. Some even thought I was no longer in this world.

He thought you had a depressing period. Is this a reality?

Not in any case! I was just in the aftermath of my husband's death, I let go a bit. When he lived, my first reflex when I got up was to be nice to wear nine. When he left, I did not even carry earrings. I have given my body and soul to my husband, now that I am no longer from this world, I fully dedicate myself to God. I had the opportunity to go to Mecca in 1999 and since then I have been trying to respect the rules of my religion. My husband also noticed that I had changed and that he had the impression that I was living with another person, after returning from the Holy Places.

Today you have been able to complain?

I'm sorry, despite myself. But outside the door of my room, there is a picture of my husband by my daughter, telling me to say goodbye, when I go out and greet him, upon return. However, we do this especially when we have faith. We say that this happens to everyone, even if we do not know the time or the moment. The only alternative is to pray for the other souls. Since then, I have become even more pious, my friends, my children are scaring me because they do not separate me from my rosary.

Why did you stand on the test?

I'm very family. I have strong relationships with my parents. Their kindness enabled me to face these trials. And I'm very emotional. It must be said that I was always like that. The expression of my feelings every day is something I have always privileged, even in my household. Like my mother, I've always been Avo (the first woman). I am 43 years old.

It's 43 years old when your death does not separate you. What is your secret?

It is neither through marabouts nor any occult power. First of all, be there for your spouse and cultivate it. Love is the basis of all unions, so you have to do your best to improve, while at the same time improving the other. It is clear that small escapades can not be missed in the pair, but for me I even made the strength. I talked about it, openly, with my wife. He was surprised every time I knew about it and wondered how I did it. However, for me, the most important thing was to know the reasons that led him to this. We talked about him and found a common ground. I think we have to take life easy, do not complicate things or stay there to look for a little beast. The opposite is creating a gap between spouses and will not have any difference. This is how some people miss their love, and they do not intensively live. Whatever the problems go in front of me, I always manage to overcome them. In addition, you must constantly ask the question. This will bring the fruit.

These days, we saw an increase in violence against household issues. A woman burnt her apartment, and her husband died after a bad sleep, and the other swept the woman on which her husband married. Both did not agree to have their wives. What do you think of these various novelties?

I was shocked to know that we can not control until we reach these extremes. It's easy to regret. When we love someone, we are necessarily jealous, but we need to know how to control ourselves. In Islam, men are given the opportunity to marry up to four women, and when this happens, you have to know how to accept it. It is necessary to communicate, because the discussion is coming to light. You can fix everything by playing a card on the table. When communication is missing in a pair or family, the door is open to failure. We regret life for nothing. I do not condemn what happened …

What happens to the effort of Bar Iego?

She's still there. It is here for the needs of those who want to deal with. We often invite young people who need expertise. However, if Daoudi Guisse is required to play the play he has written, we will be in a position to do so. It can be a tool that will be missing. It must be said that we have lost a lot of comedians: Mame Seie, Serigne Fall, Thiam Dollar, Abdoulaie Ngom, El Hadj Mansour Seck. However, with the latest outbursts that we had to do, we strengthened the army. I know that Daouda Guisse (Director of the Bar Ieggo) wrote several scenarios that she left aside. He also has his job, but everyone thinks it would be good for the reform of the group. This group has revealed us and allowed us to get a certain notoriety. With this group we have a lot of commercials and even we managed to raise prices. We sowed good seeds, at a time when people thought the theater was a joke. Today the situation has changed. We are the leader of the mind, the actors in this society who descend downhill. When you are loved and appreciated by all sides of society, you have to behave in the proper way.

Have you dealt with military actors?

Of course. I told you that when Ndioro Diop, an actress from Italy came back, she immediately saw me. Sokna lives with me. It's like my adopted daughter. I have relationships with Alioune Badar Golbert Diagne, the late Mama Seie. Some of them gave me their children's name.

What do you think of a new wave of comedians?

That's a good thing. The flowering of the hull only stimulates the vivid culture of Senegal. I like to follow such series as "Idoli", "Mbettel", "Pod and Marichou", etc. … Almost all cities have their theater hull and young people thrive in it. But what I ask of them is to make pieces that can transmit positive messages to this younger generation and to those who do not know where to turn. The state should also help young cultural actors. Some people could find funds with Fopica, but much more needs to be done.

We see that great artists die in total distress. What do you think and which solutions do you recommend?

It hurts to see some artists die in uncertainty. And it's a phenomenon that we are witnessing more and more. At the state level, steps have been taken with the Mutuelle des artiste. Perhaps, we must try to establish structures for co-authorizing more funds to support sick artists. Financial organizations can be sensitive to this.

Your message to Senegal?

Let everybody be disturbed to ask what he can do for his country and take a sigh of his life. It must begin with the respect of the society we live in. More and more, we see people who are breaking up, pronouncing insults at every step through social networks. We must be able to go further and be above certain things. It would also be useful to practice divine commandments. From there, we will love each other and we will live better moments under our sky …

MARIA DOMINICA T. DIEDHIOU

IGFM

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