There are no indirect positions in the films of Gaspara Noea. His creations are ecstasy and euphoria, various wanderers, people who exaggerate one or the other, come out on the other side – in a narrow corridor, a dark tunnel or a whole other world – with key experiences, often misunderstandings. Many drugs, even more sex, share violence and nihilism, as in the debut "Loneli Against All" or "Irreversible" scandal. These two films continue to be used as the largest French.
"Climak" is as it is already The title suggests, without exception. Gaspar Noah is perhaps a break: an ingeniously enchanting, horrible or empty provocateur? In fact, he never did a bad or even central movie.