Monday , September 26 2022

Review of Christmas Eve Karl-Bertil Jonsson | Scala Theater


MUSIC | REVIEW. Take Danielsson text, Henrik Dorsins processing and cartoonist Per Ahlin I'm with careful eyes on the production. What then might be wrong with "Evening Evening Karl-Bertil Jonsson"? Even when the curtain pulls out on a scalar stage and reveals the icy back street that everyone recognizes, the crowd is delighted with the hands. And it's no wonder. Here, someone else watches a movie every year since 1975, when SVT gave it the first time.

Soft knees

After the usual introduction of saxophone, a warm heart and a musical gift to the favorite folk house story. Rolls like a hit above the cellar with soft knees, just like a movie, like so many here, need to thank the director and choreographer Anna Vnuk For. A man just loves his mother's silly entrance to Christmas Eve, with glow in his hair and a candlestickVanna Rosenberg). Not to mention the explosion of Tiko Jonsson on Christmas Eve, he is already legal because he is disturbed in front of a TV movie (Peter Dalle). And then quick lifestyle Karl-Bertil Jonson, his beautiful Christmas project (Anton Lundkvist).

But I mostly stuck Andreas Rothlin Svensson a portrait of a drunken family father in the city. It includes the seriousness of social injustice that makes this story and film much more than an entertaining half an hour. "Go home to your poor family."

For processing and song lyrics Henrik Dorsin, which also serves as a link to the audience, happy Christmas values ​​that will offer something special. He is a narrator and has included his contemporary commentary on the texts, for example, which are the rich knots of our time or what will raise Tiko Jonsson, Father Karl-Bertila, if he lives today ("important politicians who take goodness").


But above the show, there is a real mood Noren-Jul. Lillasister (Katrin Sundberg), which cites hardly accessible poetry instead of julrim, thinks that parents should be separated. Van Rosenberg's "sick mother" is on the verge of a nerve crash. She does not have a lot of replicas, but a richer body language and mantra of the song, where she suddenly calls out to the children to peel: "See you, thank you, unhappy." It's something unexpectedly deepening I like, but actually I do not have my equivalent in another performance. One way to avoid the epidemic is the finest Monika Zetterlundska ballad "Fallen Dream", about the blessed snowfall that "strikes our world" (and impedes its anxiety?). This scene is real. But some songs are disturbing. They could iron several in favor of speech dialogue – this is an ensemble in which most actors are primarily actors.

With that he said. Calle Bagges music and lyrics Henry Dorsin wander through the Hasseatage steps, with the same musical preferences. Eclectic, linguistically proven, nostalgic, elegant and fun.

Funky musical

"Christmas Eve Karl-Bertil Jonsson" is a cool and warm musical satiri on social injustice, intrigued Christmas expectations and crazy trade. But then the Christmas present that the audience receives in the end: a paper box of Varsina containing a crown that will give to someone who really needs it. Then I think of what Dorsin tells the story: director Karl-Bertil Jonsson earned five times more than one employee, while today's directors earn 50 times more. I'm sick of thinking that everyone puts a crown in someone else's paper cloth, and then she does not think about it anymore.

Gunilla Brodray is a critic and theater editor of the Expressive Culture.

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